GRAPHIC - Cambridge University Press logo LINK: homeNewsBrowseSearchOrderInternationalAbout us
LiteratureBrowse > Literature > Catalogue  
African Literature
American Literature
Australian Literature
Asian Literature
Arabic and Hebrew Literature
Anglo Saxon & Medieval Literature
Bibliography & Publishing History
Cambridge Comparisons to Culture
European Literature
Cambridge Companions to Literature
Literary Editions
Literary Biography
Modern Literature and Literary Theory
Eighteenth & Nineteenth Century Literature
Iberian & Latin American Literature
Renaissance & Restoration Literature
Shakespeare Editions
Literature Journals

Services for Literature
Cambridge Advanced Information Service
Inspection copy requests
Catalogue requests

Quick Search
Refine your search with the options below.

Whole site

The Cambridge Companion to Beckett

Edited by John Pilling

Other titles in Cambridge Companions to Literature

Contributors | Description | Reviews | Contents


Rupert Wood, John Pilling, Paul Davies, Michael Worton, Paul Lawley, H. Porter Abbott, Jonathan Kalb, Keir Elam, Andrew Renton, Roger Little, Anna McMullan, Ann Beer, P. J. Murphy


The world fame of Samuel Beckett is due to a combination of high academic esteem and immense popularity. An innovator in prose fiction to rival Joyce, his plays have been the most influential in modern theatre history. As an author in both English and French and a writer for the page and the stage, Beckett has been the focus for specialist treatment in each of his many guises, but there have been few attempts to provide a conspectus view. This book provides thirteen introductory essays on every aspect of Beckett’s work, some paying particular attention to his most famous plays (e.g. Waiting for Godot and Endgame) and his prose fictions (e.g. the ‘trilogy’ and Murphy). Other essays tackle his radio and television drama, his theatre directing and his poetry, followed by more general issues such as Beckett’s bilingualism and his relationship to the philosophers. Reference material is provided at the front and back of the book.


‘An invaluable addition to Beckett criticism … an outstanding book, faultlessly edited and superbly presented …’. Independent on Sunday

Chapter Contents

List of contributors; Preface; Chronology of Beckett’s life; List of abbreviations; A note on titles; 1. An endgame in aesthetics: Beckett as essayist Rupert Wood; 2. Beckett’s English fiction John Pilling; 3. Three novels and four nouvelles Paul Davies; 4. Waiting for Godot and Endgame: theatre as text Michael Worton; 5. Stages of identity: from Krapp to Play Paul Lawley; 6. Beginning again: the post-narrative art of Texts for Nothing and How It Is H. Porter Abbott; 7. The mediated Quixote: the radio and television plays and film Jonathan Kalb; 8. Dead heads: damnation-narration in the ‘dramaticules’ Keir Elam; 9. Disabled figures: from the Residua to Stirrings Still Andrew Renton; 10. Beckett’s poems and verse translations Roger Little; 11. Beckett as director: the art of mastering failure Anna McMullan; 12. Beckett’s bilingualism Ann Beer; 13. Beckett and the philosophers P. J. Murphy; Further reading; Index.

Price: GBP 14.95

Page updated: 26 April 2002

ISBN: 0521424135
Binding: Paperback (Hardback)
Size: 228 x 152 mm
Pages: 273
Weight: 0.449kg
Figures: 2 half-tones 2 tables

In stock

Published: 17 March 1994

Sales Rights: For sale with exclusive rights throughout the world.